. . . Yerushalmi has satisfyingly stirred up all the undercurrents with which Freud had meant to trouble our sleep. Reading it is to take an exciting journey through the spaces of mind—an adventure of intellect. . The privilege of watching a penetrating contemporary mind engaging one of the great thinkers of the modern age results in an intellectual adventure of the first order, one not to be missed. . Yerushalmi's study has become the new baseline for studies of Freud. This final chapter constitutes a powerful, eloquent denunciation of anti-Semitic attacks on psychoanalysis as a 'Jewish science'. "—Phillip Lopate. The result . Dillenburg 1991 (2. Freud seems to have based most of his work on the premise of Judeo-Christian religion. "—Irving Howe. . . L'uomo Mosè e la religione monoteistica. "[A] highly suggestive and intelligent book . "Yerushalmi brings his considerable learning in psychoanalytic doctrine, Jewish history, and theology to bear on one of the central problems in understanding Freud, the question of his Jewish identity. Lecture 21 of Great Courses,For example, the inventory of the temple fragments was not completed until 1967 and its digital reconstruction is still ongoing. "Freud cannot be understood without consideration of his age and his society, the brilliant achievement and conflicted existence of Jews in Central Europe before World War II. "—Judith M. The book is an attempt to apply psychoanalysis to the field of history. 'Egypt in England and America: The Cultural Memorials of Religion, Royalty and Religion'.Chaney, E, 'Moses and Monotheism, by Sigmund Freud’, 'The Canon',This page was last edited on 7 June 2020, at 08:00. . Leonardo da Vinci: Il Mosè di Michelangelo (1914). "[An] intriguing, elegantly narrated book. . "Nothing is hothouse, overspecialized, or pedantic in this portrait of Freud the Ambivalent. . . From then on, I have never doubted that religious phenomena are to be understood only on the model of the neurotic symptoms of the individual, which are so familiar to us, as a return of long forgotten important happenings in the primeval history of the human family, that they owe their obsessive character to that very origin and therefore derive their effect on mankind from the historical truth that they contain. "An elegant, suggestive, subtle examination of Freud's preoccupation with a historical figure who resembled himself in interesting ways."—,"Mr. "With exquisite skill Yerushalmi follows a slim trail of psychological and textual clues to highly plausible conclusions. The Fiction of History: The Writing of Moses and Monotheism. "—Robert Alter. For one, the name Moses is not of Jewish origin and can be traced back to ancient Egyptians. . Sigmund Freud. L'uomo Mosè e la religione monoteistica è un'opera di Sigmund Freud.Si compone di tre parti scritte tra il 1934 e il 1938, pubblicate come un unico libro nel 1939 ad Amsterdam, sotto il titolo Der Mann Moses und die monotheistische Religion. Freud was quite interested in Jewish history. Per arrivare a dimostrare questa sua dedizione, arrivò a psicanalizzare un’opera d’arte: il Mosè di Michelangelo. A fascinating record of research and a substantial contribution to the literature on Freud's theories of the origins of religion. . 1) sono complesse. . Amory. Senza dubbio, Freud si identificava molto con la figura di Mosè. . Yerushalmi offers an extremely original reading of Freud's text that draws significantly upon his training in classical Jewish sources as well as on his voluminous knowledge of modern Jewish history, and his mastery of the psychoanalytic material is no less impressive. . . . brings a historian's perspective to the interpretation of,"In dealing with the various issues involved in the problem of Freud's Jewish identity, Yerushalmi sees 'a fully coherent development leading to,"A brief, brilliant examination of Freud's last major achievement—. Being a pioneer in the field of psychoanalysis, he set out to investigate the origins of the Jewish people. Il figlio è lui, Freud, e non Mosè. Yerushalmi . "Yerushalmi's scrupulously documented book gives us not only the fullest and most judicious interpretation of Freud's last detective story but recovers for us how this 'godless Jew' perceived his historical situation.
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