Three years later, she launched the Fondazione Sandretto Re Rebaudengo, of which she is the president, and is housed in two venues: a custom-designed museum opened in 2002 as the Fondazione's dedicated space in Turin, and the converted 18 th -century mansion Palazzo Re Rebaudengo in Guarene d'Alba, which opened in 1997. Please choose a different date.Are the prices for this place or activity,Is this a must-do if you are traveling with a,Is this a romantic place or activity that you would suggest for,Is this a place or activity you would suggest for,Is this a place or activity you would go to on a,Is this attraction a good place to visit on a,Hotels with Complimentary Breakfast in Turin,Hotels near Fondazione Sandretto Re Rebaudengo,Hotels near CAMERA - Centro Italiano per la Fotografia,Hotels near Pinacoteca dell’Accademia Albertina,Hotels near Museo Diffuso della Resistenza, Deportazione, Guerra, Diritti e della Liberta,Hotels near (TRN) Citta Di Torino Airport,Parrucchiera Maria Grazia Cimino Via Malta Torino,Zipline & Aerial Adventure Parks in Turin,Chiesa di Santa Maria del Monte dei Cappuccini,Duomo di Torino e Cappella della Sacra Sindone.Skip the line Turin Royal Palace Tour with...Day Pass to the QC Termetorino Luxury Spa in...CAMERA - Centro Italiano per la Fotografia,View all hotels near Fondazione Sandretto Re Rebaudengo on Tripadvisor,View all restaurants near Fondazione Sandretto Re Rebaudengo on Tripadvisor. Persons with reduced mobility can use a specially equipped toilet. The second theme is the power of images, which are never merely visual signs but rather the vessels of an infinite number of meanings and, often, instruments of power. With Statues Also Die, Museo Egizio has opened up to contemporary art for the first time in its history, displaying the exhibition in its room dedicated to Khaled al-Asaad, who was barbarously murdered by IS forces whilst attempting to defend the archaeological site of Palmyra, of which he had been the director for over 30 years. The scientific project – developed by curators Irene Calderoni, Stefano de Martino, Paolo Del Vesco, Christian Greco, Enrica Pagella and Elisa Panero – focuses on three main themes. By reproducing every caption identifying the objects on show, the work ironically and vainly attempts to represent the museum’s holdings in one image, uncovering the politics of historiography and questioning the museum as a foundation for national identity. The cultural mediation service is available in the exhibition space. The exhibition revolves around Kader Attia’s 16 empty display cabinets with their shattered glass, inviting the viewer to reflect on the various different ways in which museum artefacts have been ill-treated. By re-enacting the sniper’s line of sight, the video 180 Degree Garden View puts us in a position to imagine what the sniper saw and whom he may have killed through the hole. The Foundation organizes activities and specific itineraries for people with disabilities.Spazio7 is the name of the Foundation's café, designed by artist Rudolph Stingel, and of the Based on photographs and measurements of the sniper hole, Object of War, on the other hand, is the negative of that hole, cast as a concrete sculpture. Two artefacts hailing from Museo Egizio’s collections still bear the signs of the violence to which they were subjected in the distant past.Mathaf, the Arabic word for museum, is the first chapter and focuses on the area where I live in Beirut, known as Mathaf, home to the National Museum of Beirut, and located along what was once the Green Line, which divided east and west Beirut throughout the Lebanese Wars. ADMISSION. min. take Via Spalato up to via Modane 16. Dal 1995 sostiene i giovani artisti italiani e stranieri, con una particolare attenzione alla committenza e produzione di nuove opere, e promuove l’arte contemporanea con l’obiettivo di avvicinare ad essa un pubblico sempre più ampio. It is free of charge and does not During the wars, and despite preservation efforts made by the museum conservator to protect the collection (with concrete), the museum building was destroyed and part of its small yet impressive collection was severely damaged, looted, or lost.Under-Writing Beirut—Mathaf responds to the impossibility I faced while attempting to access artefacts in the museum’s storage as well as its archives, and to the only objects made available from them—the damaged Good Shepherd mosaic and a photograph documenting it from the time of the wars, when a sniper made a hole in it to gain a strategic view onto the museum square.

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