Michelangelo probably began this group of figures shortly after abandoning his Florentine Pieta, and then seven years later came back to make revisions on his Rondanini Pieta. Michelangelo, detail from the so called 'Pietà Rondanini', his last, incomplete sculpture (1564). The Rondanini Pietà is a marble sculpture that Michelangelo worked on from 1552 until the last days of his life, in 1564.

This sculpture is fascinating for its minimalism, even suggesting the possibility that Michelangelo purposely left it “unfinished,” thereby making it, in some art historian’s view, the earliest piece of “modern art.”,The Pieta Rondanini was ignored for centuries, but Henry Moore, the great twentieth century modernist sculptor, said, “This is the kind of quality you get in the work of old men who are really great.
This final sculpture revisited the theme of the.It has also been suggested that the sculpture should not be considered unfinished, but a work in a continuous process of being made visible by the viewer as he or she moves around to see it from multiple angles. It is now in the collection of the Castello Sforzesco in Milan.

Nel 1744, trascorsi 200 anni dall’ultimo colpo di scalpello, l’opera viene riportata al pubblico e acquistata dai Marchesi Rondanini che la collocano nel loro Palazzo di famiglia, in via del Corso, sempre a Roma. The name Rondanini refers to the fact that the sculpture stood for centuries in the courtyard at the Palazzo Rondanini in Rome. The two figures have virtually melted into one, with a rigidity that only heightens its emotional appeal that has found admirers in our modern times.Michelangelo di Lodovico Buonarotti Simoni.Condivi, Vita di Michelangelo Buonarroti…1553; Giorgio Vasari, Lives of the Most Eminent Painters, Sculptors, and Architects, 1550; Charles de Tolnay, Michelangelo: Sculptor, Painter, Architect, 1975; Robert Coughlan, The World of Michelangelo 1475-1564, 1972; Nathaniel Harris, The Art of Michelangelo, 1983; Goldscheider, Ludwig, Michelangelo: Paintings, Sculptures, and Architecture, 1975.Michelangelo began the first version of the Rondanini Pieta around 1552-1553 and the second in 1555, after the mutilation of the Pieta. The Rondanini Pieta (By Michelangelo ca.1552/53-64; height 74”),This is the last marble sculpture upon which Michelangelo worked during the last weeks of his life in 1564.

Michelangelo, La Pietà Rondanini, 1552-64, marmo, h 195 cm. The sculpture was brought to the Palazzo Rondanini, although there is no exact date for when the piece was moved. "Rondanini Pietà, last Michelangelo's masterpiece",The Creation of the Sun, Moon and Vegetation,Study of a Kneeling Nude Girl for The Entombment,Lives of the Most Excellent Painters, Sculptors, and Architects,Restoration of the Sistine Chapel frescoes,https://en.wikipedia.org/w/index.php?title=Rondanini_Pietà&oldid=979358385,Italy articles missing geocoordinate data,Creative Commons Attribution-ShareAlike License,This page was last edited on 20 September 2020, at 08:54.

Daniele da Volterra wrote that Michelangelo had worked on it the whole day on February 12, 1564 — just a week before his death.

This Pieta is by someone who knows the whole thing so well he can use a chisel like someone else would use a pen.” [Henry Moore: Writings and Conversations (2002) p.159].Still, this final Pieta largely conforms to Michelangelo’s first drawings for it: Mary stands elevated on a stone platform and bends over the full length corpse of Christ, supporting it with difficulty, from behind. Sforza Castle, Milan, Italy, Italian, 9 (Michelangelo di Lodovico Buonarroti Simoni 1475 - 1564 Tuscany) ID: R007CP (RM) Rondanini Pieta by Michelangelo (1564) displayed in the Museum of Rondanini Pieta in Sforza Castle in Milan, Lombardy, Italy.
Pietà Rondanini je nedokončené sousoší Michelangela Buonarrotiho, na kterém pracoval v posledních letech svého života.

Si tratta dell'ultima opera dell'autore che secondo le fonti vi lavorò fino a pochi giorni prima di morire. "Rondanini Pietà, last Michelangelo's masterpiece",The Creation of the Sun, Moon and Vegetation,Study of a Kneeling Nude Girl for The Entombment,Lives of the Most Excellent Painters, Sculptors, and Architects,Restoration of the Sistine Chapel frescoes,https://en.wikipedia.org/w/index.php?title=Rondanini_Pietà&oldid=979358385,Italy articles missing geocoordinate data,Creative Commons Attribution-ShareAlike License,This page was last edited on 20 September 2020, at 08:54. Several sources indicate that there were actually three versions, with this one being the last. The third version dates from shortly before his death in 1564. in the Rondanini Pieta there’s a whole of Michelangelo’s 89 years’ life somewhere. L’artista dopo una prima versione tornò a scolpire il gruppo a distanza di molti anni ma la sua morte ne impedì il compimento. La Pietà Rondanini di Michelangelo L’ultima opera documentata di Michelangelo è la Pietà Rondanini.

Milano, Museo del Castello Sforzesco

The third version dates from shortly before his death in 1564. Michelangelo probably began this group of figures shortly after abandoning his Florentine Pieta, and then seven years later came back to make revisions on his Rondanini Pieta.Michelangelo is said to have sculpted the Rondanini Pieta as a legacy to his servant Antonio del Franzese.

This final sculpture revisited the theme of the.It has also been suggested that the sculpture should not be considered unfinished, but a work in a continuous process of being made visible by the viewer as he or she moves around to see it from multiple angles.

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