San Giovanni Room or Chapter Room 1727-1762. The mosaics’ naivety – surely deliberate at a time when the church was fantastically wealthy and could have employed the finest of artisans – was used to describe the Fourth Crusade, an event which shook the very foundations of society and turned the world upside down.Not long before the mosaics were commissioned, a vast army led by two French noblemen had been sent by Pope Innocent III to reclaim Muslim Jerusalem. The opposite in fact.

La sua propensione più alla contemplazione che all'azione non deve farlo credere, però, una figura "eterea". Helen.Contemporary mosaics for interior and exterior spaces. These organisations provided a variety of charitable functions in the city as well as becoming patrons of the arts. Do please let me know if you find anything out.

I wish I knew. The magnificent coloured marble paving in this Room is also by Massari, an absolute masterpiece installed in 1752. They also give a fascinating glimpse of the medieval world view beyond the confines of religion – eg Otranto ‘s inclusion of Alexander the Great and King Arthur.

Founded in 1261, San Giovanni Evangelista is the second oldest,In 1369 Philip de Mezières (also known as Filippo Maser), the Chancellor of the,During the Renaissance period the scuola was made into a.The final major architectural changes were made during the 18th century.The school is defined externally by the open air atrium or courtyard, separated from the city by a marble screen of (1478–81) by.The atrium building is two stories high while behind this is the much larger three-story building which contains the large halls.The confraternity building has a number of rooms. There is a propensity for them to become the marble and smalti equivalent of those interbred bantam hen varieties with flamboyant mop heads and fancy moon boot feathering  – they were made to be looked at and marveled over but exude an air of slightly smug other-worldliness that makes them seem removed from ordinary mortals. The big statue of St John the Evangelist (1732-1733) , placed on the altar of the Chapter Room, was commissioned from the sculptor Giovanni Maria Morlaiter in these years. Lui si definisce semplicemente «il discepolo che Gesù amava».

Ancient mosaics can sometimes get a bit stuck up themselves. I know there seemed to be a prohibition in medieval floor mosaics against religious subjects to avoid the sacrilege of trampling the sacred under foot and so they often illustrate months of the year and scenes from everyday life.

Not so the mosaics of San Giovanni Evangelista in Ravenna.These mosaics were made in 1213 and include a seemingly disparate collection of images from line ‘drawings’ describing the Fourth Crusade to signs of the zodiac, an upside down angel and strange mythical beasts.The thing that sets them apart, however, is that they are not the slightest bit grand or even particularly well executed. Originally embedded in a church floor, the images depicted in the mosaics are refreshingly crude, telling their story in plain, straight forward terms so that there could be no misunderstanding for the illiterate church goers.And what a story! The command of Pope Innocent III – the most powerful man in the Western world – had been flouted. I suspect that everything that is written is in Italian because they are so extraordinary that there must be quite a lot of studies etc on them. All we have left are fragments from the floor within the church which was destroyed by Allied bombing in the Second World War and which are now hung in panels around the rebuilt church walls.There seems to be very little written (in English) about the mosaics of San Giovanni Evangelista but assuming the panels are hung in chronological order first we have Pope Innocent III issuing a decree before the crusaders depart:Then the ranks of crusaders are shown in armour attacking the city.
But the ‘journalism ‘ of this series, illustrating such recent history, seems to me unique. San Giovanni scrisse il suo Vangelo ad Efeso in tarda età, probabilmente nell’ultimo decennio del primo secolo, secondo la testimonianza di sant’Ireneo, ciò rende l’ipotesi di un particolare “influsso mariano” in questo Vangelo ancor più verosimile. They ran rampage; looting, raping, murdering and desecrating the city.Looking back, it’s hard to conceive how significant this was.

Qui morì tra fine del I e inizio del II secolo, dopo l'esilio a Patmos. The Fourth Crusade Mosaics of San Giovanni Evangelista The mosaics of San Giovanni Evangelista are a record – a Bayeux Tapestry in stone – of this last, disasterous crusade. Si pensi al soprannome con cui Gesù - di cui fu discepolo tra i Dodici - chiamò lui e il fratello: «figli del tuono». Thankyou.Thank you so much for sharing this amazing piece of work. L'autore del quarto Vangelo e dell'Apocalisse, figlio di Zebedeo e fratello di Giacomo maggiore, venne considerato dal Sinedrio un «incolto».

Churches and palaces were looted, thousands of civilians were killed, entire areas of the city were burnt to the ground and a Frenchman was crowned emperor in Hagia Sophia.The mosaics of San Giovanni Evangelista are a record – a Bayeux Tapestry in stone – of this last, disasterous crusade. If anyone has any information about these do please let me know. Assistette alla Passione con Maria. The unusually free and diverse patterns:The beautiful mixing of the different coloured stones:Just stumbled on this post – all n ew to me and very inspiring. It was built in the fifth century AD by the Roman imperial princess Galla Placidia. They remind me of Otranto,both in their relatively crude execution and the secular subjects but the Otranto mosaics are at least 50 years earlier and not so beautifully coloured.


È più che naturale supporre, infatti, che in tanti anni di convivenza, la Madre e il Discepolo abbiano potuto discorrere, in modo sublime e toccando vertici di comprensione … In the Middle Ages the Benedictines annexed to it an important monastery.

:While at the same time the walls were besieged from the Venetian ships on the Bosphorus:The name of the city is clearly printed here above the heads of the civilians who seem to be giving themselves up to the conquering army although the raised sword makes it clear that they are about to be massacred:A ship in full sail (with a bugler in the crows nest?) The Scuola Grande di San Giovanni Evangelista is …


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