It would have been the final devotional act of a collector towards his collection – a body of work that could no longer be separated from Cerruti’s religious beliefs or his reclusiveness.Visiting this house one can see how Cerruti, in his solitude, fashioned a kind of alternative universe from his art collection. Not many collectors could lay claim to such an auspicious start.By the time of his death in 2015, Cerruti had amassed more than 300 items, including paintings and sculpture,  rare books, furniture, ceramics and carpets. A little over a year ago I was in Turin for the announcement of one of the most remarkable private bequests ever handed to a museum of contemporary art. He is believed to have made his first purchase in 1969, when he acquired an abstract watercolour by Wassily Kandinsky. Among the moderns there are pieces by Picasso, Modligliani, Cézanne, Klee, Leger, Miró, Ernst, Magritte, Schiele, Bacon, Giacometti and Dubuffet.All the major figures in modern Italian art are represented, from the Macchiaioli to Balla, Severini, Boccioni, Morandi, Fontana, Casorati, Martini, Marini, Campigli, Sironi, Manzoni, Burri and Vedova. Giorgio de Chirico was a particular favourite, with no fewer than 10 paintings and drawings.This list is by no means exhaustive, but you get the idea. Featuring free WiFi throughout the property, B&B Casa Ceruti offers accommodation in Villa Guardia, 37 km from Milan. Few knew that Mr. Cerruti, who died in 2015, owned artwork that would later be valued at $600 million. All Rights reserved.adorned with Egyptian cotton sheets and plush towels. The busy arrangement of works follows Cerruti’s own schema, providing an insight into the collector’s way of thinking. It has meant rethinking the museum’s priorities to include a much broader historical dimension. The rooms are fitted with a private bathroom equipped with a bidet. Museum signage project for the Rivoli Castle, Contemporary Art Museum, new center, Villa Cerruti. The house is located on a hill only a kilometre from the Castello di Rivoli.Although Cerruti’s tastes may have been eclectic he had a deep concern for quality. Photography by Gabriele Gaidano. There is a perfect Provençal kitchen, but the gas and water were never connected. The surrounding lounging area include sun beds, dinning table for 12, extra.refrigerator, freezer and outdoor shower.The salt-water pool is kind to the eyes, skin and blond hair, and is maintained every day.Cots, highchairs and a selection of toys and children’s beanbags can be provided.IPod docking stations are available throughout and there is a large flat screen TV in the playroom. As the collection grew, so too did his knowledge of art history, and his connoisseurship. The Cerruti Collection, secrets of a wealthy recluse. The villa has high speed fibre internet (rare on the island) with an average download speed of 50MB, but this does vary.As this villa is located in a residential area there is a zero-tolerance regarding music and loud noise between 23:00 and 10:00.The villa is well protected with an interior and exterior alarm system connected to GPS Security.

Rooms were paneled with beech, walnut and … As it happened, they never lived in the house, and so it became the collector’s treasure trove. La Collezione Cerruti … Francesco Federico Cerruti, a local industrialist who made his fortune from … NAVETTA DI COLLEGAMENTO A/R DAL CASTELLO DI RIVOLI ALLA COLLEZIONE CERRUTI. Modigliani, 'Woman in a yellow dress (the beautiful Spanish Woman)', (1918) from the Cerruti collection A little over a year ago I was in Turin for the announcement of one of the most remarkable private bequests ever handed to a museum of contemporary art. You will also find a fully-equipped kitchen featuring a 3-metre kitchen island, a comfortable sofa lounge area and a guest cloakroom and toilet. He would drive out for Sunday lunch but spent the rest of his week in the city.

All Rights Reserved.Modigliani, 'Woman in a yellow dress (the beautiful Spanish Woman)', (1918) from the Cerruti collection,Francesco Federico Cerruti contemplates the site where he will build his villa,An entire history of modern Italian sculpture on top of the piano,Giorgio de Chirico, ‘The Metaphysical Muse’ (1918),The dining room, with wall-to-wall De Chiricos,Lucio Fontana, ‘Concetti Spaziale-Attese’ (1960) minus the gold frame,The Tower Room, where Cerruti hoped to say goodbye to this world.

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